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<channel>
	<title>Julie Nymann</title>
	<link>https://julienymann.com</link>
	<description>Julie Nymann</description>
	<pubDate>Mon, 07 Sep 2026 12:11:16 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://julienymann.com/Home</link>

		<pubDate>Tue, 19 Apr 2022 12:46:01 +0000</pubDate>

		<dc:creator>Julie Nymann</dc:creator>

		<guid isPermaLink="true">https://julienymann.com/Home</guid>

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	<item>
		<title>Roskilde Festival: Our voises carry futur dreams</title>
				
		<link>https://julienymann.com/Roskilde-Festival-Our-voises-carry-futur-dreams</link>

		<pubDate>Wed, 10 Dec 2025 14:01:22 +0000</pubDate>

		<dc:creator>Julie Nymann</dc:creator>

		<guid isPermaLink="true">https://julienymann.com/Roskilde-Festival-Our-voises-carry-futur-dreams</guid>

		<description>
	Vores stæmmer er framtidsdrømmeOur voises carry futur dreams&#38;nbsp;
2025 &#124; large-scale installation  &#124; exhibited &#124; Gloria’s foyer Roskilde Festival 2025; GRASP 2025


	

	including

	
facade &#124; 30 x 7 m&#38;nbsp; &#124; Vores stæmmer er framtidsdrømme (Our voises carry futur dreams)


	8 wall-mounted&#38;nbsp;works &#124; 122 x 170 cm &#38;nbsp;&#124; Dyslektiske styrker er frø vi vil så (Dyslexic strengths are seeds we will plant)


	12 seating elements  &#124;&#38;nbsp; 120x120 cm &#124; Lovforslag: Ordblinde med stolthed (Legislative proposal: Dyslexics with pride)


	sculpture &#124; 4 m&#38;nbsp; &#124; Gummifinger 1 (Elastic finger 1)&#38;nbsp;






	
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					Visual artist Julie Nymann invites us into an installation where green surrounds us. People who have difficulties converting sound into words and vice versa are, in the National Danish Dyslexia Test, labelled with the colour red. 

Nymann questions this colour coding, and wonders what it means for our self-understanding when we are categorised with a colour that signals ‘danger’ and ‘warning’? 

Using green as the dominant colour, Nymann challenges the stigma and prejudices often associated with dyslexia, shifting the focus toward the strengths and advantages of being dyslexic.


	
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					At the centre of the room rises the four-metre-tall red hand, Elastic Finger 1, with its palm pressing against the ground. The sculpture is a 3D scan of a child’s hand and functions both as a sculptural element and interactive seating spot. 

The work was inspired by Nymann’s extensive research into the history of dyslexia in Denmark, where parallels were drawn to physical traits such as “rubber fingers,” as described in the alternative practitioner Kaare P. Johansen’s essay It’s in the Fingers (Politiken, 2002). These outdated perceptions and alternative treatments, which Nymann also personally experienced as a child, often reinforced feelings of inadequacy. 

The installation on Roskilde Festival’s Gloria Stage, surrounded by green furniture and slogan posters, reflect both historical misunderstandings and a forward-looking, positive approach to dyslexia, emphasizing strengths and community.
 
 




	
On the surrounding seating, you will find Legislative proposal: Dyslexics with pride, an artistic manifesto, written as a Danish legislative proposal. 

The proposals call for changing the terms and symbols that authorities and educational institutions use about people with dyslexia, as well as how the school system should be changed to better support dyslexia in literacy education. 

One proposal is to move away from the Danish term “word-blindness.” Many other countries use the term dyslexia, which the artist herself also uses. Another is to eliminate the red, yellow, and green colour coding from the National Danish Dyslexia Test to help reduce stigma and feelings of inadequacy.


				
			
		
	


	

	
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	PRESSE

	“It is more than art; it is an invitation to change the conversation about what it means to be dyslexic.” — Bastard Blog
“Her bright green work draws attention and opens space for reflection.”— Information

	
	








	“The work combines art and activism, giving participants a voice while inviting the audience to reflect on their own prejudices.”  — Magasinet Kunst

“She celebrates abilities rather than limitations in dyslexia and challenges the feeling of not being smart enough.” — ALT



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	Nymann lives with dyslexia and has asked 80 other people what advantages they see in their own dyslexia. The focus on these strengths is expressed in the hanging wall pieces Dyslexic strengths are seeds we will plant.
The voices form a collective expression that recognises the different skills people with dyslexia develop to navigate a society that is not designed for everyone, such as leadership, perseverance, and the courage to ask for help.
At the same time, there is a collective call for all of us: to walk the green path together, recognising our differences as individuals and embracing the unique strengths they bring. What would happen if we turned it around and instead used a colour that symbolises strength?



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Installation view at Gloria’s foye Roskilde Festival 2025. photo Frida Gregersen
CREDITS&#38;nbsp;
	
artist
Julie NymannProduction Lead

Kristine Bech Sørensen 

Grafisk Design
Louis Montes

Typeface 
ABC Dinamo &#38;nbsp;

Sculpture
Wow Factory 

Install team
Tilda Lundbohm, Noah Holtegaard, Alda Mohr Eyðunardóttir, Stine Reitz, Rolf Drewsen, Lars Buchholtz, Nikolaj Phillipsen, Sofie Bymar, Sine Brik

Special thanks

Torso Electronics 

Communications Strategic
Rytter &#38;amp; Denke 

Studio
Karina Lykkesborg, Pauline Koffi Vandet, Katinka Saarnak, Malou Solfjeld


	Institutional Collaborations 
Roskilde Festival &#38;amp; Art Hub Copenhagen
 
Head of Art &#38;amp; Activism
Sarah Staalhøj
 
Head of Art Production
Martin Ilsøe

Curator
Andrea Mæland

Choir Communication
Sarah Pihl Petersen,Thea Møller Jensen 

Special thanks
The Behind-the-Scenes Team

Supported by
Roskilde Festival, Art Hub Copenhagen, Statens Kunstfond, Statens Værksteder for Kunst, Dansk Tennis Fond, Honoré Fonden, Den Hielmstierne-Rosencroneske Stiftelse, BUPL’s solidaritets- og kulturfond, Messetæpper og Flügger
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	<item>
		<title>Choir performance: Advantages of being dyslexic </title>
				
		<link>https://julienymann.com/Choir-performance-Advantages-of-being-dyslexic</link>

		<pubDate>Wed, 16 Jul 2025 14:04:01 +0000</pubDate>

		<dc:creator>Julie Nymann</dc:creator>

		<guid isPermaLink="true">https://julienymann.com/Choir-performance-Advantages-of-being-dyslexic</guid>

		<description>
	Korperformance: Fordelene ved at være ordblind 
Choir performance: Advantages of being dyslexic

2025 &#124; 30:00 min sound installation and choir performance &#124; Platform Stage Roskilde Festival 2025 


	

	
	Choir performance: Advantages of being dyslexic is a 30-minute immersive multi-channel sound installation including a live performance of the song A united union. 

At Platform, her sound installation Advantages of being dyslexic offers a playful and immersive listening experience with different voices, personal stories, and a live choir. 
The performance amplifies the many ways dyslexia is experienced and celebrates the power of community.





	
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	The original song is written by Julie Nymann in collaboration with Agnes Valbjørn Stavnsberg.

The performance was created in collaboration with choirleader and conductor Mette Damm. 
The choir included VUC Roskilde students with lived experience of dyslexia and professional singers.


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	“One of this year’s most important works at Roskilde Festival… Dyslexia is not hidden, but illuminated.” 
— Bastard Blog

	"A touching and politically sharp work that gives voice to dyslexia."
— ISCENE, 5 stars ★★★★★


	“A powerful and honest performance… where dyslexia is transformed into art.”— Sceneblog, 4 stars ★★★★★






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“our voices are dreams 
of the future

our pride grows into the green colour

dreams of future a united union.”
Lyrics from the song A united union by Julie Nymann in collaboration with Agnes Valbjørn Stavnsberg.




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Installation view at Platform stage Roskilde Festival 2025. photos Frida Gregersen



video Andreas Johnsen og Mik Stampe Fogh

	CREDITS&#38;nbsp;
	
PLATFORM
Korperformance: Fordelene ved at være ordblind
Choir performance: Advantages of being dyslexic 
artist
Julie Nymann


choir director &#38;amp; composer
Mette Damm


sound designStephen William McEvoy


vokal VUC Roskilde
HF for Ordblinde Students


vokal performereProceskoret


lead vokal performereHenrik Chulu, Åse Eg Jørgensen, Jesper Thorn, Olivia Barrett, Mette Moltke Wozniak


clothingJørnæs


graphic elementsLouis Montes


typefaceABC Dinamo


original scoreFordelene ved at være ordblind
artist &#38;amp; writerJulie Nymann


sound designer
Joëlle McGovern Serret


script editor 
Agnes Valbjørn Stavnsbjerg

composer, producer A unified union
Agnes Valbjørn Stavnsbjerg


narratorJonas Kjeldgaard Sørensen, Mette Moltke Wozniak, Julie Nymann


voicesLimfjordskolen Struer, Ordblindeklubben Nørre Nissum, FGU Vesterbro, Anette Marcher, Kim Lykkegaard, Marie Vedsmand




	communicationsstrategicRytter &#38;amp; Denke

studioKarina Lykkesborg, Pauline Koffi Vandet, Katinka Saarnak, Malou Solfjeld
institutional collaborationsRoskilde Festival &#38;amp; Art Hub Copenhagen

head of art &#38;amp; activismSarah Staalhøj

head of art production
Martin Ilsøe

curatorAndrea Mæland

choir communicationSarah Pihl Petersen, Thea Møller Jensen

Special thanksThe Behind-the-Scenes Team

Supported byRoskilde Festival, Art Hub Copenhagen, Statens Kunstfond, Statens Værksteder for Kunst, Dansk Tennis Fond, Honoré Fonden, Den Hielmstierne-Rosencroneske Stiftelse, BUPL’s solidaritets- og kulturfond, Messetæpper og Flügger


	acquired by 
 Kunst på Arbejde










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	<item>
		<title>Dyslexic strengths are seeds we will plant</title>
				
		<link>https://julienymann.com/Dyslexic-strengths-are-seeds-we-will-plant</link>

		<pubDate>Tue, 09 Dec 2025 10:57:02 +0000</pubDate>

		<dc:creator>Julie Nymann</dc:creator>

		<guid isPermaLink="true">https://julienymann.com/Dyslexic-strengths-are-seeds-we-will-plant</guid>

		<description>
	Dyslektiske styrker er frø vi vil så
Dyslexic strengths are seeds we will plant  

2025 &#124; 8 wall-mounted prints on green panels 
exhibited &#124; Gloria’s foyer Roskilde Festival 2025; GRASP 2025



	

	
	
	Nymann’s extensive research on dyslexia led to interviews with more than 80 people living with dyslexia, focusing on the advantages they had discovered in their own experiences. This emphasis on strengths is expressed in the hanging wall pieces Dyslexic strengths are seeds we will plant, which combine the artist’s own poetic reflections with insights from the interviewees.




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	der er mange måder at bære ordblindhed på (there are many ways to carry dyslexia) 
dyslektiske styrer er frø, vi vil så (dyslexic strengths are seeds we will plant)farver har betydning følg den grønne vej  (colours matter, follow the green path)
vi prøver igen, igen, giver ikke op (we try again and again, we never give up)
	

	vi er ikke bange for at be’ om hjælp (we are not afraid to ask for help)vi læser verden med vores sind (we read the world with our minds)
trænet i alternative løsninger (trained in alternative solutions)
vi er gode ledere (we are good leaders)






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Installation view at GRASP 2025. Photo Mads Holm




ILLUSTRATED
Nationalt Videncenter for Læsning
Viden om Literacy nr. 38
 


	&#60;img width="2000" height="1600" width_o="2000" height_o="1600" data-src="https://freight.cargo.site/t/original/i/4c01e2c6d703a49c56b862a1217903f9446a76da9d549955ad21f4e935ccb83a/25_Tidskrifte38_NVFL_JulieNymann-3.jpg" data-mid="241599659" border="0"  src="https://freight.cargo.site/w/1000/i/4c01e2c6d703a49c56b862a1217903f9446a76da9d549955ad21f4e935ccb83a/25_Tidskrifte38_NVFL_JulieNymann-3.jpg" /&#62;

	&#60;img width="2000" height="1600" width_o="2000" height_o="1600" data-src="https://freight.cargo.site/t/original/i/62fc1c76416f04fddc828210ab6066abaf78596297389b152e5776a61bceb795/25_Tidskrifte38_NVFL_JulieNymann-5.jpg" data-mid="241599735" border="0"  src="https://freight.cargo.site/w/1000/i/62fc1c76416f04fddc828210ab6066abaf78596297389b152e5776a61bceb795/25_Tidskrifte38_NVFL_JulieNymann-5.jpg" /&#62;

CREDITS&#38;nbsp;
	
artist
Julie Nymann 

Grafisk Design
Louis Montes


	Institutional Collaborations 
Roskilde Festival &#38;amp; Art Hub Copenhagen



</description>
		
	</item>
		
		
	<item>
		<title>Advantages of being dyslexic</title>
				
		<link>https://julienymann.com/Advantages-of-being-dyslexic</link>

		<pubDate>Tue, 09 Dec 2025 14:07:44 +0000</pubDate>

		<dc:creator>Julie Nymann</dc:creator>

		<guid isPermaLink="true">https://julienymann.com/Advantages-of-being-dyslexic</guid>

		<description>
	Fordelene ved at være ordblind
Advantages of being dyslexic


2024 &#124; 8-channel sound installation &#124; 5x5 m green fabric room &#124; 21:00 min 
exhibited &#124; Kunsthal Charlottenborg; Struer Museum; Dokk1




	

	
	Advantages of Being Dyslexic is a 21-minute immersive, monumental sound installation. Eight speakers fill a green fabric room, inviting visitors to listen to powerful, personal stories about dyslexia. These voices, collected from more than 80 people aged 10–70 through workshops and an open call led by the artist in 2023, offer intimate glimpses into the many ways dyslexia shapes life and thinking.



 

	
&#60;img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/9c77ccd0bed3f7bdd6ba54d8b8b5c46743f6177e4e577218d09fc0f737e84ae5/FVO_JulieNymmann_StruerMuseum_Photo_MikkelKaldal-3.jpg" data-mid="241600641" border="0"  src="https://freight.cargo.site/w/1000/i/9c77ccd0bed3f7bdd6ba54d8b8b5c46743f6177e4e577218d09fc0f737e84ae5/FVO_JulieNymmann_StruerMuseum_Photo_MikkelKaldal-3.jpg" /&#62;
&#60;img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/33813b9cd9cc9687b9654cc118318197f7d6951584e580fceb17ad486a5b0914/FVO_JulieNymmann_StruerMuseum_Photo_MikkelKaldal-5.jpg" data-mid="241600615" border="0"  src="https://freight.cargo.site/w/1000/i/33813b9cd9cc9687b9654cc118318197f7d6951584e580fceb17ad486a5b0914/FVO_JulieNymmann_StruerMuseum_Photo_MikkelKaldal-5.jpg" /&#62;



	

More than 500,000 people live with dyslexia in Denmark, and for most of the workshop participants, it was the first time they were asked about the advantages of dyslexia. 
The work highlights how their ways of coping with dyslexia can be seen as a superpower. It challenges society’s perception of dyslexia and offers a layered understanding of lived experiences and neurodiversity.


	
	&#60;img width="2000" height="1125" width_o="2000" height_o="1125" data-src="https://freight.cargo.site/t/original/i/4b6d98a058c7fa452c766f8123277c9f6ed5fcdcdc56b82ddd91e5f95987b9d6/JulieNymann_workshop_Foto_JulieNymann-1-19-9.jpg" data-mid="241600596" border="0"  src="https://freight.cargo.site/w/1000/i/4b6d98a058c7fa452c766f8123277c9f6ed5fcdcdc56b82ddd91e5f95987b9d6/JulieNymann_workshop_Foto_JulieNymann-1-19-9.jpg" /&#62;



	&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/5a8586dad992d21112187b43302cf26915d92671780c1e9e33c034be1ca1dd19/FVO_JulieNymann_FotoJulieNymann_2024-7.jpg" data-mid="241600606" border="0"  src="https://freight.cargo.site/w/1000/i/5a8586dad992d21112187b43302cf26915d92671780c1e9e33c034be1ca1dd19/FVO_JulieNymann_FotoJulieNymann_2024-7.jpg" /&#62;

	
	Nymann’s work focuses on the first-person perspective, exploring what it feels like to have dyslexia, and questions societal narratives that frame dyslexia primarily through deficit. 
By emphasizing the strengths that dyslexia has given rise to for the participating individuals, Nymann turns the discourse upside down and, through aesthetic means, invites curiosity about dyslexia, its causes, and its consequences.



	
Advantages of Being Dyslexic examines dyslexia not only as a learning difficulty but as a personal and embodied experience, using aesthetic strategies to open up new understandings and conversations within educational, communicative, and artistic contexts.
	

	&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/d1eb4d4e47fb01b7210d80bb8b96356c5d57b2894456db9ae6cfc2feb048f1f9/FVO_JulieNymann_FotoJulieNymann_2024-9.jpg" data-mid="241600598" border="0"  src="https://freight.cargo.site/w/1000/i/d1eb4d4e47fb01b7210d80bb8b96356c5d57b2894456db9ae6cfc2feb048f1f9/FVO_JulieNymann_FotoJulieNymann_2024-9.jpg" /&#62;


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	PRESS
	“Writing is only one form of knowledge. Wisdom and understanding exist in many forms.“ – Eurowoman
	"It is about much more than art when the artist Julie Nymann lets local voices tell their stories of living with dyslexia."—&#38;nbsp; Struer Dagblad
	"I could relate to almost everything and felt acknowledged and understood."— Anonymous museum visitor


&#60;img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/71294779f04f0cf8da68371537f029901ed0b5c5abbaf20e6737c521b6572f09/FVO_JulieNymmann_StruerMuseum_Photo_MikkelKaldal-6.jpg" data-mid="241600690" border="0"  src="https://freight.cargo.site/w/1000/i/71294779f04f0cf8da68371537f029901ed0b5c5abbaf20e6737c521b6572f09/FVO_JulieNymmann_StruerMuseum_Photo_MikkelKaldal-6.jpg" /&#62;




&#60;img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/36fc19b5cf939bef357b717737be33afe727b730903b12915282a0bede7fd2b9/FVO_JulieNymmann_StruerMuseum_Photo_MikkelKaldal-18.jpg" data-mid="241600710" border="0"  src="https://freight.cargo.site/w/1000/i/36fc19b5cf939bef357b717737be33afe727b730903b12915282a0bede7fd2b9/FVO_JulieNymmann_StruerMuseum_Photo_MikkelKaldal-18.jpg" /&#62;

1 min trailer. Installation view at Struer Museum

CREDITS&#38;nbsp;
	
artist
Julie Nymannsound designer	
	Joëlle McGovern Serret

»samlet union« 
composer &#38;amp; producer

Agnes Valbjørn Stavnsbjergnarrator&#38;nbsp;

		Jonas Kjeldgaard Sørensen
Mette Moltke Wozniak
Julie Nymannvoices	
		Limfjordskolen Struer, Ordblindeklubben Nørre Nissum, FGU Vesterbro, Anette Marcher, Kim Lykkegaard and Marie Vedsmandwriter 
			Julie Nymann

script editor
Agnes Valbjørn Stavnsbjerg

dramaturgi	
	Julie Nymann
Joëlle McGovern Serret
technical coordination

Kristine Bech Sørensen
technical assistance

Nikolaj N. Phillipsen


	Struer Museum exhibition is supported by 
Færch Fonden, the Danish Arts Foundation, EgeFonden, Knud Højgaards Fond, the Hielmstierne-Rosencrone Foundation, and Kvadrat.


Exit 24 at Kunsthal Charlottenborg is supported by 
Politiken-Fonden and Overretssagfører L. Zeuthens Mindelegatspecial thanks to all of you for sharing your stories
All teachers and dyslexics who were part of ‘Fordelene ved at være ordblind’-workshops at Københavns VUC, FGU Vesterbro, Limfjordskolen Struer, Ordblindeklubben at Nørre Nissum skole, dyslexics students in higher education who receive SPS, and dyslexics in a public open call&#38;nbsp;
thank you 
Sound Art Lab, Ordblindeinstituttet, SPS counselor at Københavns VUC, Struer municipality and library&#38;nbsp;

furthermore, thank you
Andrea Diermayr, Helle Harnisch, Ida Vestergaard Øyan, Jane Hye Jin Kaisen, Kristel Laurits, Kristine Bech Sørensen, Lars Bo Henriksen, Lars Buchholtz, Louise Rytter, Maibritt Borgen, Oskar Koliander, Pi Bartholdy, Rune Søchting, Silas Emmery, Troels Dankert, and Vibeke Rasmussen


</description>
		
	</item>
		
		
	<item>
		<title>Nordic Dialogues</title>
				
		<link>https://julienymann.com/Nordic-Dialogues</link>

		<pubDate>Mon, 07 Sep 2026 12:11:16 +0000</pubDate>

		<dc:creator>Julie Nymann</dc:creator>

		<guid isPermaLink="true">https://julienymann.com/Nordic-Dialogues</guid>

		<description>
	Nordic Dialogues
Advantages of being dyslexic


2026–2028 &#124; Sweden · Norway · Finland · Denmark




	

	
	A Nordic participatory art and research project exploring dyslexia through lived experience, sound, storytelling and collective creation.

What can we learn from each other when we share our experiences of dyslexia across borders?



&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/ecde9b309c9bf43d3f79352a48762ad621717f2e3964697b9d20063bfdf29ecc/2025_KorverVUC-3.01.jpg" data-mid="251901142" border="0"  src="https://freight.cargo.site/w/1000/i/ecde9b309c9bf43d3f79352a48762ad621717f2e3964697b9d20063bfdf29ecc/2025_KorverVUC-3.01.jpg" /&#62;
 

	


3 million people in the Nordic countries live with dyslexia. 
Advantages of Being Dyslexic – Nordic Dialogues is a participatory art project exploring how dyslexia is experienced and understood across the Nordic region.



In 2026, Julie Nymann travelled to Finland, Norway and Sweden to meet and form connections with people with dyslexia, artists, researchers, educators and dyslexia organisations. 
These encounters have created strong connections and form the foundation for a collaborative art project that develops through research, workshops and interviews.
 


	
	&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/af124b4a7aa0750468d8225fcb47bf506aafe56f770fd49d7c16579f506cb2e7/FVO_Norge-1.jpg" data-mid="251908213" border="0"  src="https://freight.cargo.site/w/1000/i/af124b4a7aa0750468d8225fcb47bf506aafe56f770fd49d7c16579f506cb2e7/FVO_Norge-1.jpg" /&#62;



	&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/d71a3286aecd2440a19292d26c2e29dc1ec2d57f0e13c621d321309da80968af/23_FVO_SoundArtLab-5.jpg" data-mid="251897823" border="0"  src="https://freight.cargo.site/w/1000/i/d71a3286aecd2440a19292d26c2e29dc1ec2d57f0e13c621d321309da80968af/23_FVO_SoundArtLab-5.jpg" /&#62;

	
	Over the coming years, the project will develop through intimate workshops, conversations and peer-to-peer interviews. 
Participants share positive, difficult, unique and unifying stories about learning, language, difference and belonging. 
Their voices, stories and reflections become artistic material for new sound-based, performative and immersive artworks.


	
Although the Nordic countries are closely connected, they have different languages, educational systems and approaches to dyslexia and inclusion. 

The project brings these perspectives into dialogue, exploring both what we have in common and where our experiences differ.

Through research, expert exchange and lived experience, knowledge and perspectives meet across artistic, educational and dyslexia communities. 
The workshops create spaces where participants can share experiences, listen to one another and develop new ways of perceiving and understanding dyslexia.
	

	&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/3671c8826f5a13e5c646d3fad7c6119244949c35d07fd45bef31d6d4ed13a8a1/2025_VUC_kor_ver_01-4.jpg" data-mid="251901728" border="0"  src="https://freight.cargo.site/w/1000/i/3671c8826f5a13e5c646d3fad7c6119244949c35d07fd45bef31d6d4ed13a8a1/2025_VUC_kor_ver_01-4.jpg" /&#62;




	&#60;img width="4355" height="2903" width_o="4355" height_o="2903" data-src="https://freight.cargo.site/t/original/i/39f738415b836aeb0080e3c7744cde2044d307181abda3766e5aa849791df79c/RF2025_JN_FVO_Foto_FridaGregersen-19.jpg" data-mid="251901500" border="0"  src="https://freight.cargo.site/w/1000/i/39f738415b836aeb0080e3c7744cde2044d307181abda3766e5aa849791df79c/RF2025_JN_FVO_Foto_FridaGregersen-19.jpg" /&#62;
	


	Advantages of Being Dyslexic – Nordic Dialogues grows out of encounters, conversations and research trips in 2026 across the Nordic region, supported by Nordic Culture Point’s Mobility Funding and Nordic Culture Fund’s Opstart. 
These first connections now form the foundation for a wider Nordic artistic dialogue.



</description>
		
	</item>
		
		
	<item>
		<title>Legislative proposal: Dyslexics with pride</title>
				
		<link>https://julienymann.com/Legislative-proposal-Dyslexics-with-pride</link>

		<pubDate>Wed, 10 Dec 2025 13:04:48 +0000</pubDate>

		<dc:creator>Julie Nymann</dc:creator>

		<guid isPermaLink="true">https://julienymann.com/Legislative-proposal-Dyslexics-with-pride</guid>

		<description>
	Forslag til lovændringOrdblinde med stolthed
Legislative proposal: Dyslexia with pride

2024 &#124; mixed media &#124; print; website; t-shirts; seating elements 
exhibited &#124; Kunsthal Charlottenborg; Struer Museum; Roskilde Festival
Link to online artistic manifesto ︎︎︎︎


	

	
	Dyslexia with Pride is an artistic manifesto in the form of a Danish legislative proposal. It imagines new laws that reframe dyslexia in education, celebrating it as a strength and empowering those who live with it to feel proud and recognized in society.︎︎︎︎





	
&#60;img width="2000" height="1334" width_o="2000" height_o="1334" data-src="https://freight.cargo.site/t/original/i/1a23a4cc0e1dd7871b029761c34818650c60ceb4db0e6b8a50d86d3eaf767293/FVO_JulieNymmann_StruerMuseum_Photo_MikkelKaldal-18.jpg" data-mid="241630787" border="0"  src="https://freight.cargo.site/w/1000/i/1a23a4cc0e1dd7871b029761c34818650c60ceb4db0e6b8a50d86d3eaf767293/FVO_JulieNymmann_StruerMuseum_Photo_MikkelKaldal-18.jpg" /&#62;

Installation view at Struer Museum




	




As part of her choir-performance Advantages of Being Dyslexic at Roskilde Festival, Nymann attracted significant attention by handing out green t-shirts saying  “Mattias Tesfaye – coffee with me?”, with a QR code linking to the manifesto. 



By addressing Tesfaye, the Danish Minister for Children and Education, the action combined humor with seriousness, sparking conversations about dyslexia and neurodiversity in the Danish educational system.


PRESS “Julie Nymann is proud to live with dyslexia – it has its advantages: She now has six proposals for the Minister of Education”– Berlingske


 
	
	&#60;img width="2200" height="1467" width_o="2200" height_o="1467" data-src="https://freight.cargo.site/t/original/i/a942b9b23d73b440cb67729f88a9f567060e42872c83e7458ed9c6ab4248f795/ViErStolteOrdblinde_VandrehallenKunsthal_Foto_JulieNymann_WEB-3.jpg" data-mid="241630777" border="0"  src="https://freight.cargo.site/w/1000/i/a942b9b23d73b440cb67729f88a9f567060e42872c83e7458ed9c6ab4248f795/ViErStolteOrdblinde_VandrehallenKunsthal_Foto_JulieNymann_WEB-3.jpg" /&#62;


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	&#38;nbsp;

	For Our Voices Carry Future Dreams at Roskilde Festival 2025, Nymann created seating elements featuring statements from her legislative proposals, including a call to stop using (ordblind) “word-blindness” for dyslexia. 

Nymann’s artistic manifesto and her broader practice focusing on dyslexia and neurodiversity have established her as a prominent voice in discussions on learning and well-being, earning widespread media recognition. Her work has created tangible impact, inspiring positive change and opening new approaches to education. Through these immersive pieces, participants gain sensory and human insights into learning experiences that are often reduced to tests, diagnoses, and support documents.



	&#60;img width="2200" height="1467" width_o="2200" height_o="1467" data-src="https://freight.cargo.site/t/original/i/42010a4fa8356a2ad1bb0717ea77673f4bba5cc587f465b42c8cf4f85b77ae8c/ViErStolteOrdblinde_VandrehallenKunsthal_Foto_JulieNymann_WEB-4.jpg" data-mid="241630778" border="0"  src="https://freight.cargo.site/w/1000/i/42010a4fa8356a2ad1bb0717ea77673f4bba5cc587f465b42c8cf4f85b77ae8c/ViErStolteOrdblinde_VandrehallenKunsthal_Foto_JulieNymann_WEB-4.jpg" /&#62;
	&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/855408afb2e779ca813ac5494a8c5ff00b991e8c96a6efc2204e7794710a2963/2025_Uge40_HolstebroBibliotek-15.jpg" data-mid="241938753" border="0"  src="https://freight.cargo.site/w/1000/i/855408afb2e779ca813ac5494a8c5ff00b991e8c96a6efc2204e7794710a2963/2025_Uge40_HolstebroBibliotek-15.jpg" /&#62;





	
	CREDITS
	artistJulie Nymanntext editorHelle HarnischIda Vestergaard Øyan

graphic designer	Kasper Aavad
 translator
	Ami Frostthank you
Andrea Diermayr, Lars Bo Henriksen, Louise Rytter, Silas Emmery, Vibeke Rasmussen and all the teachers I had the pleasure of engaging with.
	







</description>
		
	</item>
		
		
	<item>
		<title>We are proud dyslexics</title>
				
		<link>https://julienymann.com/We-are-proud-dyslexics</link>

		<pubDate>Thu, 06 Feb 2025 15:30:13 +0000</pubDate>

		<dc:creator>Julie Nymann</dc:creator>

		<guid isPermaLink="true">https://julienymann.com/We-are-proud-dyslexics</guid>

		<description>
	Vi er Stolte OrdblindeWe are proud dyslexics 

2024 &#124; 8 framed photographs &#124; 60 x 90 cm&#38;nbsp; 
exhibited &#124; Vandrehallen Kunsthal; Møstings; Struer Bibliotek

	


	&#60;img width="2318" height="3000" width_o="2318" height_o="3000" data-src="https://freight.cargo.site/t/original/i/91108a58766dcd29d33a50f2bdc2856b3de7b07566c8f4132d5ccf6b6d4f7174/ViErStolteOrdblinde_JulieNymann2024-3.jpg" data-mid="241600064" border="0"  src="https://freight.cargo.site/w/1000/i/91108a58766dcd29d33a50f2bdc2856b3de7b07566c8f4132d5ccf6b6d4f7174/ViErStolteOrdblinde_JulieNymann2024-3.jpg" /&#62;Installation view at Møstings


	
	

	We are proud dyslexics is a self-portrait series by Nymann, documenting her performative act of wearing green since October 2023. The photographs show the artist holding a sign for each day of the week, symbolically marking dyslexia awareness and ending with the powerful message: We are proud dyslexics.

The green colour refers to the National Dyslexia Test in Denmark, where a person with dyslexia is given the colour red based on a red, yellow, green division. Nymann has adopted green as a symbol of dyslexia awareness and of all the advantages that come with living with dyslexia.




	
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&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/75780221ba1273c45cf791a6222093a8ce8ff9d31657d7d00c52bac6570faff3/ViStolteOrdblinde_JulieNymann_Vandrehallen_2024-6.jpg" data-mid="241600097" border="0"  src="https://freight.cargo.site/w/1000/i/75780221ba1273c45cf791a6222093a8ce8ff9d31657d7d00c52bac6570faff3/ViStolteOrdblinde_JulieNymann_Vandrehallen_2024-6.jpg" /&#62;
Installation view at Vandrehallen Vandrehallen


&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/e0149a1a733a20eb6d51cd2c21174e5dee29c8b5d4da144ed4972dd2cafdd593/25_JulieNymann_FotoMadsHolm-3.jpg" data-mid="241600068" border="0"  src="https://freight.cargo.site/w/1000/i/e0149a1a733a20eb6d51cd2c21174e5dee29c8b5d4da144ed4972dd2cafdd593/25_JulieNymann_FotoMadsHolm-3.jpg" /&#62;

Installation view at Struer Bibliotek



	
	CREDITS
	
	artistJulie NymannphotographerPaula Duvå
	acquired by&#38;nbsp;
 Kunst på Arbejde
</description>
		
	</item>
		
		
	<item>
		<title>The House That Whispers</title>
				
		<link>https://julienymann.com/The-House-That-Whispers</link>

		<pubDate>Wed, 18 May 2022 13:34:08 +0000</pubDate>

		<dc:creator>Julie Nymann</dc:creator>

		<guid isPermaLink="true">https://julienymann.com/The-House-That-Whispers</guid>

		<description>
	The
House That 
Whispers

2021 &#124; 3-channel video installation &#124; 15:30 min 

	

	
	A multichannel soundscape about the reverberations of the colonization of the Danish West Indies, today the U.S. Virgin Islands.
The film stages interactions between the past, present and what seem to be echoes of history, manifested in law, architecture, and people. The video installation was filmed in three locations around Copenhagen.


 

	
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&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/085b2d93a466fe10c8a509dacee5d8a4650186ca95eef90215151b5e63819354/TheHouseThatWhispers_JulieNymann-5.jpg" data-mid="142980289" border="0"  src="https://freight.cargo.site/w/1000/i/085b2d93a466fe10c8a509dacee5d8a4650186ca95eef90215151b5e63819354/TheHouseThatWhispers_JulieNymann-5.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/25025f8cc583549fbbdbcf6460f4781db1c8b77320d8ebafcc63d9df9dee2036/TheHouseThatWhispers_JulieNymann-2.jpg" data-mid="142980286" border="0"  src="https://freight.cargo.site/w/1000/i/25025f8cc583549fbbdbcf6460f4781db1c8b77320d8ebafcc63d9df9dee2036/TheHouseThatWhispers_JulieNymann-2.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/da16940df63ac82251021f0faa62b99005df44254094a0e3b77f9e0d9bc501c6/TheHouseThatWhispers_JulieNymann-4.jpg" data-mid="142980288" border="0"  src="https://freight.cargo.site/w/1000/i/da16940df63ac82251021f0faa62b99005df44254094a0e3b77f9e0d9bc501c6/TheHouseThatWhispers_JulieNymann-4.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/085b2d93a466fe10c8a509dacee5d8a4650186ca95eef90215151b5e63819354/TheHouseThatWhispers_JulieNymann-5.jpg" data-mid="142980289" border="0"  src="https://freight.cargo.site/w/1000/i/085b2d93a466fe10c8a509dacee5d8a4650186ca95eef90215151b5e63819354/TheHouseThatWhispers_JulieNymann-5.jpg" /&#62;

Installation view at The Royal Casting Collection, SMK, Copenhagen part of kulturnatten 2021


	The West Indies Warehouse

The West Indies Warehouse, located on the waterfront in Copenhagen, was built by the Danish West India Company, a chartered company responsible for the Triangular trade.
This film started as a sound recording, made in 2019, of the West Indies Warehouse building singing. The phenomenon of the building singing happens in special weather conditions where wind enters the building, causing it to resonate and become its own instrument playing in several flute-like tonalities. The field recording was made in The Royal Cast Collection which the warehouse houses today.&#38;nbsp;
	
	&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/7c0b62eb6b1d85138ae717427c96f014fa167b5dcfc9db48875d4944f83f9285/Julie_Nymann_The_house_that_whispers-2.jpg" data-mid="142980291" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/7c0b62eb6b1d85138ae717427c96f014fa167b5dcfc9db48875d4944f83f9285/Julie_Nymann_The_house_that_whispers-2.jpg" /&#62;


	&#60;img width="5048" height="3365" width_o="5048" height_o="3365" data-src="https://freight.cargo.site/t/original/i/c774a8352809b8f0b51d2b47693b0fcf0d4ea701b5b58132d2de50aea4d19298/Julie_Nymann_The_House_That_Whispers_at_The_Odd_Fellow_Palace.jpg" data-mid="142980292" border="0"  src="https://freight.cargo.site/w/1000/i/c774a8352809b8f0b51d2b47693b0fcf0d4ea701b5b58132d2de50aea4d19298/Julie_Nymann_The_House_That_Whispers_at_The_Odd_Fellow_Palace.jpg" /&#62;

	
	The Odd Fellow Palace
The Odd Fellow Palace was bought in 1762 by Heinrich von Schimmelmann and at the time got the name Schimmelmann Mansion. In the 18th century, the Schimmelmann family had become Denmark’s richest family due to sugar imports from the Danish West Indies. 
Sitting by a piano at The Odd Fellow Palace, pianist Ben Besiakov improvises in direct response to the recording of the sound sung by the West India Warehouse building. Ben Besiakov’s grandfather was Victor Cornelin. Victor Cornelin was brought from the Danish West Indies to Copenhagen to be exhibited at the 1905 human exhibition in Tivoli.



	The Royal Vajsenhus
In 1905 The Royal Vajsenhus was an orphanage and after the human exhibition in Tivoli Victor Cornelin was sent to school in this very building. Today The Royal Vajsenhus is a primary school. 

In the film a girl reads aloud from a contemporary school book for high school history classes. From the book, she reads a selection of texts. One of which is the 1733 slave regulations of Philip Gardelin that were put in force throughout the Danish West Indies, while another is the story of Victor Cornelin.&#38;nbsp;
	

	&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/b53a7503449a17ecdf1c711325412844c56634465904c97206efcfac5dd28503/Julie_Nymann_The_house_that_whispers-9.jpg" data-mid="142980293" border="0"  src="https://freight.cargo.site/w/1000/i/b53a7503449a17ecdf1c711325412844c56634465904c97206efcfac5dd28503/Julie_Nymann_The_house_that_whispers-9.jpg" /&#62;




	
The three channels mixed into one trailer&#38;nbsp;



CREDITS&#38;nbsp;
	
artist
Julie Nymann
pianist 
Ben Besiakov

girl 
Luka Ildrup

photographer 
Jonas Fogh 

assistant 
Ellinor Juhler 

editor 
Anna Wistreich
Julie Nymann

sound designer 
Jonathan Hvalsøe Schou 

colorist 
Eliott Becheau

	thank you
The Royal Cast Collection, The Odd Fellow Palace, The Royal Vajsenhusthank youHenrik Holm, Jakob Kolding, Luca Frei, Stephen William McEvoy, Katrine Dirckinck-Holmfeld, Kasper Wolf Stouenborg, Kristine Bech, Nikolaj Nielsen Phillipsen, Mathias Bruun, Anne Mette Finderup, Naja Berg Hougaard









</description>
		
	</item>
		
		
	<item>
		<title>Use it well</title>
				
		<link>https://julienymann.com/Use-it-well</link>

		<pubDate>Wed, 28 Sep 2022 12:59:53 +0000</pubDate>

		<dc:creator>Julie Nymann</dc:creator>

		<guid isPermaLink="true">https://julienymann.com/Use-it-well</guid>

		<description>
	Use It Well

By Julie Nymann
&#38;amp; 
Signe Raunkjær Holm

2022 &#124; 16-channel sound installation &#124; 30 min + 5 min exit track
	


	
	Use It Well is a 16 speakers installation distributed throughout a room where the audience is invited to walk among the speakers.
A group of people reacted to a casting call titled experiment about dance and loneliness during lockdown 2021. They were invited to the fictional Red Room Institute that hosted something between a dance audition, a self-help radio show, and a performance for a one-person audience. This turned into Use It Well, where the spectator is surrounded by a massive soundscape of bodies. 
The soundscape oscillates between inner comments and attempts of reaching out, verbal and nonverbal communication, loneliness and togetherness. 
By leaving the visual space empty for the audience to fill in the blanks, Use It Well wants to reconfigure ideas of presence and absence, intimacy and distance, and how we construct meaning when something is withheld from us. What happens to the representation of the bodies when the visual codes are removed?




&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/2ac08c46097ae9c5b8f810531f2707f32896b032e59ccfe5e0887753082f9e6f/USE_IT_WELL_IAC-visitors-8.jpg" data-mid="154307749" border="0"  src="https://freight.cargo.site/w/1000/i/2ac08c46097ae9c5b8f810531f2707f32896b032e59ccfe5e0887753082f9e6f/USE_IT_WELL_IAC-visitors-8.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/c76ff878d35359c45675fd51a9f41c236d1d47fff6559f58b1c820ba17d37e15/USE_IT_WELL_IAC-install-1.jpg" data-mid="154307750" border="0"  src="https://freight.cargo.site/w/1000/i/c76ff878d35359c45675fd51a9f41c236d1d47fff6559f58b1c820ba17d37e15/USE_IT_WELL_IAC-install-1.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/46d8f256c4f0beeda9136a042583a92003b51a70fcad7b50efc22c7ea79b2f12/USE_IT_WELL_IAC-visitors-9.jpg" data-mid="154307751" border="0"  src="https://freight.cargo.site/w/1000/i/46d8f256c4f0beeda9136a042583a92003b51a70fcad7b50efc22c7ea79b2f12/USE_IT_WELL_IAC-visitors-9.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/a5a9722f9621717b29a0ab89a8fdd74d6ff5de1a1f15419ffa14bd1f46f710b3/USE_IT_WELL_IAC-visitors-6.jpg" data-mid="154307747" border="0"  src="https://freight.cargo.site/w/1000/i/a5a9722f9621717b29a0ab89a8fdd74d6ff5de1a1f15419ffa14bd1f46f710b3/USE_IT_WELL_IAC-visitors-6.jpg" /&#62;
&#60;img width="2000" height="1333" width_o="2000" height_o="1333" data-src="https://freight.cargo.site/t/original/i/af215761d53b7d7944e818c02a871da9d5e2eade2f3f3c13a3e13b00b6fa7725/USE_IT_WELL_IAC-visitors-2.jpg" data-mid="154307746" border="0"  src="https://freight.cargo.site/w/1000/i/af215761d53b7d7944e818c02a871da9d5e2eade2f3f3c13a3e13b00b6fa7725/USE_IT_WELL_IAC-visitors-2.jpg" /&#62;


	Documentation of in-house presentation at Inter Arts Center. All the people you see are visitors interacting with the sound installation




	
&#60;img width="5740" height="3827" width_o="5740" height_o="3827" data-src="https://freight.cargo.site/t/original/i/17068e75c610635f97855fffb45718a69f40045f52ace67154aba9eb590f5637/Use-it-well-sokker-3.jpg" data-mid="154307752" border="0"  src="https://freight.cargo.site/w/1000/i/17068e75c610635f97855fffb45718a69f40045f52ace67154aba9eb590f5637/Use-it-well-sokker-3.jpg" /&#62;To enter the installation the spectator must put on a pair of pink socks on
	&#60;img width="2000" height="1328" width_o="2000" height_o="1328" data-src="https://freight.cargo.site/t/original/i/1b7e168006fce792800e7401ed60653c5922856bda3feb5488e8cce45808e58f/USE_IT_WELL_IAC-visitors-12-pink.jpg" data-mid="154307753" border="0"  src="https://freight.cargo.site/w/1000/i/1b7e168006fce792800e7401ed60653c5922856bda3feb5488e8cce45808e58f/USE_IT_WELL_IAC-visitors-12-pink.jpg" /&#62;
The spectator exits through a corridor with hidden speakers, listening to the directing voices of the live performance







	
CREDITS
	artists
Julie Nymann&#38;nbsp;&#38;amp;
Signe Raunkjær Holm 
 composition ‘Give Us Your Echo’

 Lennart Dybdahl
vocals ‘Give Us Your Echo’&#38;nbsp;
Signe Raunkjær Holm
sound design
Eliza Bożek 
thanksthe performers 
	thanksLuca Frei,
Jonas Jönsson, Ellinor Juhler, Stephen McEvoy, Alessandro Perini, Jenny Gräf Sheppard, Christian Skovbjerg Jensen, Ragna Solbergnes 
with support from 

Koda Kultur
Dansk KomponistforeningInter Arts Center











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